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4 Pack of 6-FT DIGITAL COAXIAL AUDIOmfr: RCA-HDTV RCA-HDTV HD6CA 6-Ft Digital Coaxial Audio Connects the following components to HDTV: satellite receivers, cable set-top box, VCR; 24k gold-plated deluxe grade connectors; Pure copper conductor; Limited lifetime warranty

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TV and PC Images On A Single Monitor.(Sharp Systems of America introduces Liquid crystal displays )(personal computer, television): An article from: Display Development NewsThis digital document is an article from Display Development News, published by Business Communications Company, Inc. on December 1, 2004. The length of the article is 457 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: TV and PC Images On A Single Monitor.(Sharp Systems of America introduces Liquid crystal displays )(personal computer, television)
Publication: Display Development News (Newsletter)
Date: December 1, 2004
Publisher: Business Communications Company, Inc.
Volume: 9 Issue: 9 Page: NA

Distributed by Thomson Gale

The Winds of WarAn engrossing, 1983 television miniseries based on a bestselling work of historical fiction by Herman Wouk, The Winds of War is an admirable production reminiscent of the era of Hollywood's epic features. At the center of the globe-trotting story is the Henry family, whose laconic but straight-shooting patriarch is United States Navy Commander Victor "Pug" Henry (Robert Mitchum), sent to Hitler's Berlin in the spring of 1939 as a naval attaché to the then-neutral American embassy. A keen observer, Pug deduces that Germany is not preparing for war on two fronts (western Europe on one side, Russia on the other) despite what the Nazis want the world to believe, meaning that Hitler must be working out a secret peace deal with Stalin. Pug's prescience makes him a favorite eyewitness in Berlin for Franklin D. Roosevelt (Ralph Bellamy); the irony is that Pug is far less sagacious when it comes to the realities of his family.

Polly Bergen plays unhappy wife Rhoda, who turns to A-bomb developer Palmer Kirby (Peter Graves) for comfort. Pug's 19-year-old daughter, Madeline (Lisa Eilbacher), defies her iron-willed dad's decision that she stay in school by taking a job for CBS radio in New York. Compliant son Warren (Ben Murphy) can't seem to get Pug's attention despite doing everything right (including becoming a Navy pilot, eventually present at the bombing of Pearl Harbor). By contrast, Pug spends more time fuming over black sheep son Byron (Jan-Michael Vincent), who is working in increasingly Fascist Italy as an assistant to an art historian (John Houseman) while trying hard to woo the latter's exasperating niece, Natalie (Ali MacGraw). The story of Byron and Natalie takes up much of The Winds of War as the pair traverse Poland during the shock of Hitler's 1939 assault, and Jewish Natalie later finds herself trapped inside Italy facing the threat of concentration camps. Before The Winds of War ends, each of these characters will end up in places and situations, and with historical figures (Churchill, Mussolini) as well as ordinary people, they would not have anticipated outside the pressures of war. The program's length and smart script allow for a lot of ideas and background detail that pull a viewer in--happily. --Tom Keogh

The HunleyProduced for Turner Network Television and originally broadcast in the summer of 1999, The Hunley is a straightforward, engrossing historical drama focusing on a little-known chapter of the Civil War: the introduction of the submarine into American naval warfare off the shore of war-torn Charleston, South Carolina, in 1864. Writer-director John Gray had previously helmed the 1998 TV movie The Day Lincoln Was Shot, and he has a knack for capturing the Civil War era with a heightened sense of authenticity, allowing for the dramatic license of mainstream television. Armand Assante plays Lieutenant Dixon, a traumatized soldier and grieving widower with just the right mixture of bravado and nihilism to skipper the C.S.S. Hunley--essentially an iron boiler cobbled into a hand-powered submersible weapon--with a volunteer crew of nine men who propel the crude sub in an effort to break the Union's coastal blockade. Donald Sutherland is superbly cast as Dixon's Confederate commander, General Beauregard, and the film's best scenes are those between Assante and Sutherland, playing two weary warriors with one final chance for victory. Otherwise, this is a very conventional film made with integrity but no particular flair, faithfully adhering to historical fact while establishing a solid supporting cast. Assante is guilty of moderate overacting, but he compensates with enough charisma to make his ill-fated command dramatically involving. Most effective is the sense of sheer bravery in the pioneering effort to prove the Hunley as a viable tool of war; the final scene within the sub is both haunting and dramatically intense. (Historical note: The C.S.S. Hunley--named after the drowned captain of a previous test vessel--was discovered intact off the coast of Charleston in 1995; efforts were later made to raise and restore this relic of naval history.) --Jeff Shannon